rawshn@local : ~/music $

music

How I practice attention — rhythm, dynamics, and narrative map directly onto discovery interviews and roadmap storytelling.

Most played

Lifetime and recent top tracks, plus most-listened artists — from stats.fm.

Most listened

Lifetime top tracks from stats.fm

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Last 4 weeks

Rolling 4-week top tracks from stats.fm

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Top artists

Lifetime most-listened artists from stats.fm

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Now playing

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How I play

Self-taught — honest about the ceiling, proud of the ear.

  • Rhythm guitar · Capo, open chords — pocket, not solo.

  • Drums · Single-pedal, under 100 bpm — timekeeper.

  • DJ · DDJ transitions — beatmatching in progress.

  • Singing · Basic vocal training — still learning to trust it.

Festivals & the floor

Alternative Rock Tech House

Research trips — how a crowd moves, when tension builds, when to let a drop breathe.

Listening & influences

Alternative Rock and Tech House — my top two lanes. Rock for dynamics and grit; House for groove and crowd physics. Same through-line: texture and tension, not a single genre.

Crowd reads Set arc
  • Same instincts as user interviews — different BPM.
  • Watch the floor, not the booth.
  • Tension → release → breathing room.

Open to collaborate

Producer partnerships, mix sessions, and live jams — same curiosity as the floor, applied to making.

  • Producer collab

    Open to collaborating with a producer — arrangement, production, and getting mixes across the line.

  • Jam & mix

    Happy to jam tracks together and trade rough cuts until something clicks.

  • Jam sessions

    Always up for jamming sessions with enthusiastic musicians — low ego, high energy.

If you are a producer or an enthusiastic musician who wants to jam, mix, or build something together — say hi.

Get in touch →